MUSIC 300 REVIEW OUTLINE

Diatonic materials

Rudiments: intervals, scales, key signatures, meter, and rhythm
Doubling, spacing, and voice-leading in four parts
Non-chord tones
Tonal system: chord functions
Figured bass
Harmonization of melody and figured bass in four parts

Chromatic materials

secondary dominants
modulation (common chord, direct)
common-tone diminished seventh chords
Neapolitan chords
augmented sixth chords

chromatic (nonfunctional) chord progression

Analysis

binary, ternary forms
variations
strophic, modified strophic, through-composed
sonata-allegro

Arranging

Textures- melody, countermelody, harmony, and bass line (see "Textures handouts")
Choral arranging- setting of words, treatment of the voice, piano accompaniments
Instrumental arranging- characteristics of instruments, transposition, the rhythm section, making scores and parts

20th-century materials

new scales, new chord structures (quartal, quintal, etc.), non-functional progression, planing
pandiatonicism, polytonality
atonality, serialism
changing and irregular meters
new playing techniques, instruments
chance (aleatoric) music
minimalism

Harmonic analysis practice