LISTENING ASSIGNMENTS FOR MUSIC 352
I. SCHUBERT,
The Trout, D. 550 (C/S: 5/9); SCHUBERT, Quintet in A major for Piano
and Strings, D. 667 (the Trout),
Fourth Movement, (C/S: 5/12); SCHUBERT, Erlking, D. 328 (C/S:
5/1); R. SCHUMANN, ÒAnd if
the flowers knew,Ó from A PoetÕs Love (Dichterliebe), No. 8
(C/S: 5/49); MENDELSSOHN HENSEL, Mountain
Yearning, Op. 10, No. 5 (C/S: 5/32)
II. CHOPIN,
Nocturne in C minor, Op. 48, No. 1 (C/S:
5/46); CHOPIN, Prelude in E minor, Op. 28, No. 4 (C/S: 5/44); LISZT, The Little Bell (La campanella), from Transcendental Etudes after Paganini, No. 3
(C/S: 6/4); C. SCHUMANN, Scherzo, Op. 10 (C/S: 6/20)
III. BERLIOZ,
Symphonie fantastique: Fourth Movement, March to the
Scaffold (C/S: 5/19); Fifth Movement,
Dream of a WitchesÕ Sabbath (C/S:
5/25); SMETANA, The
Moldau, from My Fatherland (C/S: 6/28)
IV. BRAHMS,
Symphony No. 3: Third Movement
(C/S: 6/1); DVORAK, Symphony No. 9
in E minor, From the New World,
First Movement (C/S: 6/49); FELIX MENDELSSOHN, Violin Concerto in E minor, Op. 64, First
Movement (C/S: 5/35); BEACH, Violin Sonata in A minor, Second Movement
(Scherzo), (C/S: 7/7)
V. BRAHMS,
A German Requiem: Fourth Movement (C/S: 5/58); VERDI, Rigoletto, Act III,
excerpts: Aria, ÒLa donna Ž mobileÓ (C/S: 6/14), Quartet, ÒUn di, se ben rammentomiÓ (C/S: 6/16); WAGNER, Die WalkŸre: Act
III, Finale (C/S: 5/53); BIZET, Carmen: Act I,
excerpts: No. 3, Chorus, ÒAvec la
garde montanteÓ (C/S: 6/36), Recitative, ÒCÕest bien l‡Ó (C/S: 6/39), No. 4, Chorus, ÒLa cloche a sonnŽÓ (C/S: 6/40), No.
5, Habanera, ÒLÕamour est un oiseau rebelleÓ (C/S:
6/43); PUCCINI: Madame Butterfly, ÒUn bel diÓ (7/1); JAPANESE KOUTA: A White Fan (C/S:
8/77)
VI. TCHAIKOVSKY,
The Nutcracker, three dances from Act II: March (C/S 6/44), Dance
of the Sugar Plum Fairy (C/S: 6/47), Trepak (Russian
Dance) (C/S: 6/50); MAHLER, The Song of the Earth: Third Movement, Of Youth (C/S:
7/3)
VIII. DEBUSSY,
Prelude to ÒThe Afternoon of a FaunÓ
(C/S: 6/62); RAVEL, Spanish Rhapsody (Rapsodie
espagnole), Feria (C/S: 7/21)
IX. STRAVINSKY,
The Rite of Spring, Part II
(C/S: 7/34); STRAVINSKYH: The SoldierÕs Tale, The Royal March (7/43)
SCHOENBERG, Pierrot lunaire:
No. 18, ÒDer MondfleckÓ (C/S
7/15), No. 21, ÒO alter Duft aus MŠrchenzeitÓ (C/S: 7/17);
BERG, Wozzeck: Act III: Scene 4 (C/S:7/51), Interlude (C/S: 7/53),
Scene 5 (C/S: 7/54); WEBERN,
Symphony, Op. 21: Second Movement
(C/S: 7/51)
X. BARTOK,
Concerto for Orchestra, Fourth
Movement, Interrupted Intermezzo (C/S: 7/27); IVES, The Things Our Fathers Loved (C/S: 7/19); COPLAND, Billy the Kid: Scene
1, Street in a Frontier Town
(C/S: 7/70); REVUELTAS: homenaje a Federico Garccia Lorca, Third Movement, Son (C/S:
7/62)
XI. JOPLIN,
Maple Leaf Rag (C/S: 7/10); HOLIDAY, BillieÕs Blues (C/S:
8/1); STRAYHORN/ ELLINGTON:
Take a Train (C/S: 8/8); GILLESPIE/PARKER: A Night in Tunisia (C/S:
8/13); GERSHWIN: Piano Prelude No. 1 (C/S:
7/59) BAKER: Sometimes I Feel Like a Motherless
Child, from Through This Vale of
Tears (8/39); BERNSTEIN, West Side Story: Mambo (C/S:
8/19), Tonight Ensemble (C/S:
8/22); BEAUSOLEIL, Think of Me (C/S 8/70);
SHABALALA, Kangivumanga (I Disagreed), by Ladysmith Black Mambazo (C/S: 8/74)
XII. MESSIAEN,
Quartet for the End of Time, Second
Movement, Vocalise (C/S: 7/75); BOULEZ, The Hammer Without a
Master: Nos. 1 (C/S: 8/33), 3 (C/S: 8/34), 7 (C/S:
8/35); CRUMB, Ancient Voices of Children: First
Movement (C/S: 8/40); CAGE: SonataV, from Sonatas
and Interludes (C/S: 7/78); JAVANESE GAMELAN MUSIC: Patalon
(C/S: 8/82); LIGETI: Disorder, from Etudes
for Piano, Book I (C/S: 8/30); EASTERN AFRICAN DRUMMING: Ensiraba yamunange Katego (C/S:
8/78); ABING: The Moon Reflected on The Second
Springs (C/S: 8/66)
XIII. PROKOFIEV, Alexander Nevsky: Seventh Movement, AlexanderÕs Entryinto Pskov (C/S: 7/58); TAN DUN: Farewell, from Crouching Tiger, Hidden Dragon (C/S: 8/62); LANSKY, Notjustmoreidlechatter, excerpt (C/S: 8/53); TOWER: For the Uncommon Woman (C/S: 8/47); PART: Cantate Domino canticum novum (C/S: 8/43); ADAMS: Roadrunner, from Chamber Symphony (8/57)